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NOSPR / Vermeulen / „Too many notes!” / Mozart’s arias and symphonies gala - NOSPR

NOSPR / Vermeulen / „Too many notes!” / Mozart’s arias and symphonies gala

Sunday
12:00
Seats
Tickets: 70-130 zł
Ilse Eerens
Clara Evans
Conductor
Dirk Vermeulen
Performers
Ilse Eerens – soprano
Program
Wolfgang Amadeus Mozart
Ballet music from the opera Idomeneo
Crudele!... Non mi dir recitative and aria of Donna Anna from the opera Don Giovanni
Giunse alfin il momento… Deh vieni non tardar Susanna’s recitative and aria from the opera The Marriage of Figaro
Fra l'oscure ombre funeste an aria from the oratorio Davide penitente
Symphony No. 35 in D major Haffner K. 385

Open sales on September 2.
 

Although Wolfgang Amadeus Mozart would compose music in virtually all the genres popular in his lifetime, it was opera that he was most enthusiastic about. The concert will begin with Chaconne and Pas seul – ballet fragments from the opera seria (i.e. a serious one) Idomeneus, King of Crete, emanating pomp and circumstance, commissioned by the Munich opera theatre. Then, Ilse Eerens will perform three fragments from another one of Mozart’s works for theatre. The recitative Crudele! and the subsequent dramatic-lyrical aria Non mi dir belong to Donna Anna’s part in Don Giovanni, a work its composer curiously dubbed „a joyous drama”. Further, we are going to hear the good-humoured recitative Giuns’alfin il momento and the lyrical aria Deh vieni non tardar, which maintains its mood. Both come from the fourth act of the opera buffa The Marriage of Figaro, in which they are sung by Susanna during the night-time garden scene. The final link in Eerens’ performance will be the aria Fra l’oscure ombre funeste, from the Old Testament-inspired cantata Davide penitente – solemn in its mood, to the extent of seeming ceremonious. The concert will be crowned with a performance of a work that constitutes the embodiment of the classical style, namely the Symphony in D major, also known as the Haffner Symphony. The symphony’s subtitle is the surname of a Salzburg family the composer was friends with, the occasion for its commission being the ennoblement of Sigmund Haffner. In his letters,  Mozart emphasised that the first movement is fiery, while the finale ought to be played “as fast as possible!”

Oskar Łapeta

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